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Afro Max Expo Space in Austria

African Maximalism is proud to announce the opening of a new exhibition space in Austria. In the Migingo settlement built by Slum TV in Krems as part of the Donaufestival, African Maximalism has a small, but beautiful, gallery dedicated to spreading the Maximalist gospel. The inaugural vernissage is tomorrow. The artist identity remains a secret. The photo below does the space no justice.afro-max-gallery1

Finissage and Magazine launch! Karibu Sana

Massai Mbili Art Centre Visit

Hi, the next Psychosafari is visiting the Art Studio of the Massai Mbili Artists.

Meetingpoint: Prestige Nakumat, Ngong Road, Saturday 21st Feb 1 p.m.

Phonecontact: 0732248249

Nyama Choma and Drinks

Psychosafari Conversations Guide

Tuesday 7 p.m at Goethe Institute

Current policies and politics around urban public space & And what happens if the public space turns into a pitch for mobilisation?
How public is the public space? Indeed, what are we, as members of the public, permitted to do in these spaces? This question is both highly political and highly contested. From politicians to policemen, from artists to activists, from planners to policy makers, nobody is without an agenda about what should and should not be allowed in these spaces. Indeed public space can even be defined as a space for open contestation, and thus the distillation of democracy. For this discussion we bring together a cocktail of characters (hopefully not of the molotov variety) to share some perspectives and positions about about politics and policing, the safety and security, the art and the artifice of Nairobi’s public spaces.
thursday 7 p.m at Goethe Insitute

The future of urban public space & development

Town planners and rappers might not seem like the most likely companions but the correlation between art, culture and urban ‘regeneration’ is becoming increasingly obvious in cities around the world. Nevertheless, this is not an unproblematic relationship. It is true that the inclusion  of community groups, local artists and musicians in the creation of an urban identity ultimately leads to a more imaginative and potent urban code emerging. At the same time, this relationship between  artists and city officials is not always an equal one, and there is always the risk that artists are merely being instrumentalised. ‘Even ‘regeneration’ itself has become synonymous with a kind of gentrification, creating ‘beautiful’ neighbourhoods for the middle classes.

Psychosafari Guide

conversations will be held at goethe institute, excursions call: 0732248249 (return for updates)

saturday:

from occidental plaza to gipsys:

starting point: occidental plaza 21:30
end point: gipsy 24:00

two places, at least one many might know. there is a small indian restaurant, which exists only during night hours. during the day, there is not even an indicator
of its existance. But in the evening its an unbelieveable active place. If you try out the pan afterwards, it might happen that you end up in long discussions and
learn something about local, as well as indian history.

i’m sure everyone knows gipsys, and everyone knows it probably in an different way. What kind of value has such a place in terms of local culture, if you can see and
experience the whole possible bandwith of social interaction, between different classes, different ethnical groups, but also celebrate with them your free time?
By the way, we try to get our german dj to play there a live-set with CD’s. Some people complain that on Saturdays you can even predict the next number, as there
is not much change. Is there space for change within popular culture at all? Let’s find that out. If we empty the dancefloor, the rountine will take over again! Let’s dance!

and than our DJ Andi Teichmann from Berlin shall rock the ‘LOVE STRUCK’

@ STEVE’S STEAKHOUSE

DJ’s: Andi Teichmann, Foozak, maxiis, vos

Start: 8 p.m. entrance: 400 KSH

Ngong Racecourse, Nairobi


sunday:

If there is no soccer on TV, let’s play ourselves Arsenal against Man-u
Bring your red and blue T-shirt. Bring Balls.

where: Uhuru Park. 4. p.m.


tuesday: conversation:

Current policies and politics around urban public space & And what happens if the public space turns into a pitch for mobilisation?
How public is the public space? Indeed, what are we, as members of the public, permitted to do in these spaces? This question is both highly political and highly contested. From politicians to policemen, from artists to activists, from planners to policy makers, nobody is without an agenda about what should and should not be allowed in these spaces. Indeed public space can even be defined as a space for open contestation, and thus the distillation of democracy. For this discussion we bring together a cocktail of characters (hopefully not of the molotov variety) to share some perspectives and positions about about politics and policing, the safety and security, the art and the artifice of Nairobi’s public spaces.
thursday: conversation:

The future of urban public space & development

Town planners and rappers might not seem like the most likely companions but the correlation between art, culture and urban ‘regeneration’ is becoming increasingly obvious in cities around the world. Nevertheless, this is not an unproblematic relationship. It is true that the inclusion  of community groups, local artists and musicians in the creation of an urban identity ultimately leads to a more imaginative and potent urban code emerging. At the same time, this relationship between  artists and city officials is not always an equal one, and there is always the risk that artists are merely being instrumentalised. ‘Even ‘regeneration’ itself has become synonymous with a kind of gentrification, creating ‘beautiful’ neighbourhoods for the middle classes.
saturday or sunday:

Massai Mbili Art Centre, opening

finissage:04th March

Visit to the Cave? Contributions from contemporary artists into public space, often happens on the fragile borders of urban space. Jacob was asked and hired
to turn the entrence of an restaurant into an installation. A kind of semi public space. We want to invite you to visit that place, and also our newspaper “african maximalism”

Vienna Voodoo

Lukas Pusch about Vienna Voodoo-performance: “I wanted to show two worlds in one picture. The perspectives change. Capitalist Realism. Realities join together, when normally they would be separated by border fences and restricted areas. The inhabitants of the slum were happy when they saw me in a suit. They weren’t shocked. On the contrary, I symbolized normality for them. In their reality white people are rich. For them the nice suit was more an expression of respect than a provocation. Our view of Africa is at the most a compassionate one. Starving children. War. AIDs. We don’t appear there, except as Samaritans, Humanitarian Aid workers or Aerzte ohne Grenzen (Doctors without borders). Social workers.”

Lukas Pusch is an artist and co-founder of Slum TV. He lives in his beloved Vienna.

Nyayo Monument Photographers

The Nyayo Monument Photographers take portraits of people in the Central Park. There are approximately ten photographers that use this area as their studio, some have been working here for over twenty years. Clients collect their photos a few days after they are taken, although sometimes the photos are never picked up. These photos are stored in the tin trunks that all photographers have, often being used as samples. The photographers also work with montage techniques as can be seen by the poster and flyer for this exhibition (both photos by Samson).

Samson (George Ndirango), Jackson Wamai, Charles Ndiritu, Ronnie Keya, Wallace Anyiga and Jackson Kilonzo, six of the photographers who work at the Monument, can be seen in the montage above (Sam Hopkins)

Urban Wasanii

Workshop exploring Public Space in Mombasa. For two weeks in June 2008 18 artists, half international and half local, explored, reacted to and interrogated the public space of Mombasa through various means. Work produced varied from performance, to public installations, to murals, to temporary interventions, to a music video, a song and a documentary.

The workshop was organised and facilitated by Kuona Trust, and the concept was developed by Sam Hopkins.

Participating artists included: Nayari Castillo, Marieke Coenan, Mihret Kebede, Sheila Nakitende, Gordon Shamulenge,, Isaac Chibua, Eveginia Golant, Michelle Browne, Cultural Video Foundation, Max Mason, Charles Matathia, Barbara Minishi, Samuel Koigi, Ato Malinda, Otieno Kota, Cyrus Nganga, Michael Makoha, Ukoo Flani.

Otieno Gomba

gomba2gomba1

Partnership for Change

The Partnership for Change is an open initiative of Mars Group Kenya and other like-minded organizations, Civil Society Agencies, NGO’s, Youth groups, Faith Based Organisations, Social Movements and grass roots
organization and Networks from all of the eight provinces of Kenya.

The mission of the Partnership for Change is to advance the strategic use of non-violent action in calling upon the Kenyan Citizen to demand the End of Impunity, Restore Democratic accountability and to end Dictatorship in
Kenya.

It started activities in Nairobi on November 5th 2008 and is now active in 8 provinces and 210 constituencies.